Outside the Empire, categories become fluid and elevators stop on strange floors. Prose slips into graphic poetry, medieval Christianity into mystical Sahelian Islam, Byzantine chronicles into erotic gore anime. Anna’s first-person diary careens down a series of sinister African elevators and intersectional magic spaces. She is an outcast of the Empire but also a product of it, exploring the dynamics of contemporary African textile production, vernacular theater, animal husbandry, jihad, urban design, television, and coin metallurgy from the perspective of a 12th-century trans Byzantine engineer.
The Diary of Anna Comnena initially adopts the same Empire-centric perspective as the historical Alexiad, but the dystopian confrontation with African reality forces Anna to reflect on what it means for her to be specifically in Africa, and not just in a generic outside space. Together with the author’s previous work, The Diary of Anna Comnena forms a gelatinous ongoing treatise where seriousness is an emerging property, and the distinction between speculative fiction, design theory, and political philosophy is probably just matter of scale.nted as it is a description of taunting the useful. Includes bonus chapters!
About the Author
Tis Kaoru Zamler-Carhart (they/them) is a trans nonbinary writer, designer, photographer, musician, and medievalist based in New York. Tis’s written, visual, and musical work revolves around historicity and materiality, time travel, mysticism, and the fragile boundaries of seriousness. Tis teaches transdisciplinary design at Parsons School of Design, and formerly taught medieval music and Latin at the Royal Conservatoire The Hague. Tis photographs Rwandan interiors, salad spinners on AstroTurf, vintage appliances, dead pigs, and coin rides in malls. Tis writes books on design theory, Empire, fish, Byzantine cinema, and textiles. Tis composes medieval spectral disco, operas, keyboard music, and other music concerned with timbre and the physicality of sound. Tis sings contemporary music and often records works written for their voice by living composers. Tis holds a JD from Stanford Law School and was briefly a corporate tax attorney but believes in salvation through repentance. They also hold an MA in linguistics and a BA in linguistics and philosophy from Stanford, an MMus in music composition from Royal Holloway University of London, and a diploma in composition from the Royal Conservatoire The Hague.
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